Robb McKay has had an article published in The Conversation: Canada https://theconversation.com/ca entitled “Let’s Change the ‘Girls Play Flute, Boys Bash Drums’ Stereotype.” https://theconversation.com/lets-change-the-girls-play-flute-boys-bash-drums-stereotypes-121798 Read about it in the Queen’s Gazette article here.
From October 2019, The Museum of Modern Art in New York City will be exhibiting a large-scale sound sculpture work Rainforest V (Variation 1) created by Prof. Matt Rogalsky in collaboration with sound artists John Driscoll and Phil Edelstein. The piece was acquired by MoMA for its permanent collection
Dr Margaret Walker’s chapter “The ‘Nautch’, the Veil and the Bayadère: The Indian Nautch as Musical Nexus” has just been published in The Music Road: Coherence and Diversity from the Mediterranean to India, a British Academy Proceedings volume and outcome of the Balzan Project “Towards a Global
Dan School Teaching Fellow Golam Rabbani has had an article entitled “Heterogeneity and Baul Spirituality: The Songs of Baul Taskir Ali in Bangladesh” published in The Comparative Media Arts Journal available online through Simon Fraser University. http://www.sfu.ca/cmajournal/issues/issue-six–aesthetics-of-heterogeneity/golam-rabbani.html
Using Photo Elicitation to Examine Students’ Perceptions of a Sistema-Inspired Program by Julia Brook and Regina-Veronicka Kalaydina. A paper presented at the International Society for Music Education (ISME) Research Commission at the Canadian University Dubai. Dubai, UAE. 9 July. http://isme.cud.ac.ae/
Junior Piano Masterclass. Conducted by Dina Namer. At the Ontario Registered Music Teachers Annual Convention, University of Ottawa 28 July
“Walking Toward: Writing about Japan” by Julie Salverson and Peter C. van Wyck. Paper presented at the Return to Hiroshima Symposium at University of Toronto, 6 August 2018.
Twenty-four Preludes composed by John Burge and presented in lecture-recital; Ten Approaches to Creativity: A Canadian Composers Works with a Snowdrift presentation by Burge; and Preparing Your Students for Careers in Music. All part of the Royal Conservatory of Music’s Summer Summit, Toronto, 11-12 August,
Through the Fictive to the Real(ish): Affective Time and the Representation of ‘Real Newfoundland’ in Rising Tide Theatre’s Trinity Pageant.” By Kelsey Jacobson. 2018. Theatre Research in Canada/Recherches théâtrales au Canada, 39:1, 43-58. “Accuracy and Ethics, Feelings and Failures: Youth experimenting with documentary practices of
